Monday, 24 April 2017
Sunday, 11 December 2016
Friday, 17 June 2016
Clowning Around, Cophurst Holme Styes Woods
Like children that once lived here the poppets are out
to play, they’ve come out to see what’s going on, to watch over their
wilderness. Usually safely hidden in the nooks and crannies of the derelict
buildings, they observe and record the secrets of this space. As nature reclaims the abandoned habitation the
poppets look out for the wild things as they quietly go about their
business. The untidy corners matter, here
nature mends and the wild things make their homes in this no man’s land, it’s nature’s
land where the poppets play.
Installation in Art in the Woods Holmfirth Arts Festival
Monday, 18 April 2016
Art in the Woods - samples
Tuesday, 12 April 2016
My next project is about the edgelands, decay and recovery.
In the words of Paul Evans,
'I love flowers in the ruins; Nature reclaims our most audacious works and they disintegrate, becoming colonised by plants and animals. I love the romance of decay. Ruins have tearful edges, a melancholy which persists in places once cherished, alive, lived in, now desolate. Their stones, bricks, slates and concrete hold a recording of all that happened there and plays back to me like a distant gramophone. Ruins have a residual life absorbed by water and earth; they are a becoming. Rot is beautiful.'
From Field Notes from the Edge - Journeys through Britain's Wilderness
'I love flowers in the ruins; Nature reclaims our most audacious works and they disintegrate, becoming colonised by plants and animals. I love the romance of decay. Ruins have tearful edges, a melancholy which persists in places once cherished, alive, lived in, now desolate. Their stones, bricks, slates and concrete hold a recording of all that happened there and plays back to me like a distant gramophone. Ruins have a residual life absorbed by water and earth; they are a becoming. Rot is beautiful.'
From Field Notes from the Edge - Journeys through Britain's Wilderness
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